Strike over. What now?

My favorite song about the strike:


What ought to become of this blog now? Should it be dedicated to a mindset of sticking it to the man, or simply shut down? Your thought in the comments.

Brett Ratner has already weighed in: HALLE-FREAKIN’-LUJAH!

Bionic Woman Saves Hollywood

How the NY Times didn't come up with the headline "Bionic Woman Saves Hollywood" for this story is beyond us.

Over the last two weeks, Laeta Kalogridis, a movie and TV writer and a founder of United Hollywood, a pro-union Web site, emerged as an unlikely peacemaker.

Working the phones and e-mail during her forced hiatus, she operated as a conduit between David J. Young, a militant leader of the guild, and Peter A. Chernin, the News Corporation president, who was similarly protective of company interests.

As Ms. Kalogridis joined those trying to resolve the dispute, players on both sides finally shifted ground, most importantly on the issue of new-media compensation. That cleared the way to a deal that will be reviewed by writers in meetings here and in New York on Saturday...

Even as Mr. Bowman became more vocal, Mr. Young was listening closely to Ms. Kalogridis, who had become a guild confidante. Described by associates as vibrant and impassioned, Ms. Kalogridis — whose credits include the “Bionic Woman” television series — had joined with a half dozen associates to make their United Hollywood site (unitedhollywood.blogspot.com) a rallying spot for striking writers. As recently as last week, the Web site shook the continuing talks by posting a strong critique of the directors’ deal by Phil Alden Robinson, the writer and director of “Field of Dreams” and a board member.

Ms. Kalogridis and her friends, in fact, had become a pipeline to the guild members holding out for sizable gains, whose support would be needed if any deal was to be reached. And she, like Mr. Bowman, had become convinced that the current round of talks must not be allowed to fail...

Mr. Young put together the ultimate compromise — a flat fee for part of the contract’s life, a percentage during the rest. Ms. Kalogridis, late last week, then found herself in the thick of a bargaining process that eventually won a handshake on the point. She stressed to Mr. Rosen and others that guild members would never approve a deal that did not have a percentage payment for Web streams. Mr. Rosen became an advocate with Mr. Chernin. Mr. Chernin, at one point, invited Ms. Kalogridis to communicate with him directly. And shortly afterward, he signed off.

Writers strike "economic catastrophe" (press request)

Here's a press request from our friends at Money Magazine. Please contact them if you're interested:

Here at Money we have a monthly feature called One Family’s Finances in which we look at the finances of a family going through some kind of relate-able economic catastrophe. I’d say that living for 3+ months without salary fits the bill! I’d love to do a story with a writer or other union member for whom the strike has taken a huge toll. The story would get across the points of the strike, but it would also personally help the family that volunteers in that we will be setting them up with a financial planner who will create a comprehensive financial plan for them.

I’m looking for someone who...
-->is comfortable with full financial disclosure
-->normally has an income of $100K or more
-->is aged between 30 to 60
-->married, possibly with kids
-->having some kind of financial trauma/anxiety as a result of the strike (maybe they’re realizing the didn’t have an emergency fund, maybe dipping into retirement savings, maybe building significant credit card debt, maybe afraid of not being able to pay the mortgage)

If you fit the bill and are interested, please email me a brief work history and financial story, with your age, location and contact info. And include a photo if you have one! Thanks much,
Margaret Magnarelli
Margaret_magnarelli@moneymail.com

After the strike: Will writers still get screwed?

Word's spreading that the strike's coming to an end. Newscorp chief Peter Chernin apparently told buddies at the Super Bowl that a settlement has been reached.

But life goes on, even after victory. And writers will still need studio execs, producers and directors to share creative vision to make great entertainment. The NY Times thinks the studios will screw writers harder than ever before. Brett Ratner (as imagined by sick but funny minds) explains that WGA stands for “Whiny Girl Assfaces”.

Recession talk to be used to screw writers?

While it's common knowledge among economists that you don't know if you're in a recession until afterwards, Jeff Zucker has managed to figure out with 100% certainty that we're in one according to the NY Times (contradicting his boss at GE):

The decision to eliminate most pilots was made as the company looked for ways to cut costs in response to the Hollywood writers’ strike and the slowdown in the economy, Mr. Zucker said. “It’s clear we are in a recession in the United States, and we’re going to have to manage our business accordingly,” he said.

Will the media moguls hype up recession fears to scare writers into capitulation?

Is WGA Director David J. Young the right man for the job?

The New York Times article Writers’ Strike Tests the Mettle of 2 Outsiders gives some interesting not-much-talked-about background on WGA West Executive Director David J. Young that leaves us asking Guess? what happen to the Union of Needle Trades?

Mr. Young, who declined to be interviewed for this article, was best known as a principal player behind a hard-fought attempt in the mid-1990s by the Union of Needle Trades, Industrial and Textile Employees to organize workers who were making clothes for Guess? Inc. That drive failed when Guess? simply moved most of its work out of the country.

WTF? Scary stuff.

There are two ways this could go:

1. Young's Russian roulette clicking background will get the AMPTP to give the WGA a good deal, maybe better than those wimpy directors (writers are harder to source from the third world than needle workers, right?)
   
2. In a "Who has a bigger dick?"-style competition, the media moguls let the strike continue while finding other ways to make money, and all the while Young will be collecting his WGA paycheck and declining interviews
   

Your thoughts?

Auteur theory in action: Directors try to steal the spotlight

Quoting Wikipedia, the "auteur theory holds that a director's films reflect that director's personal creative vision, as if they were the primary 'auteur' (the French word for 'author')."

By using rumors that the Director's Guild of America is near a deal with the AMPTP, the directors have managed to steal the spotlight from the real authors (a.k.a. writers) again.

To get inside their heads, try to answer Rush Hour 2-director Brett Ratner's question: Tell me again why we need writers?

Read what's not being written

Jonathan Green & Gabe Miller tipped us off to a very cool site they started called What Aren't You Writing? with pitches for pilots that aren't being written due to the strike.

Here are some gems:

"Women's Accounting Club"

Four very different female accountants work together to solve accounting mysteries, and in the process boost their emotional bottom lines.

...not written by Sheryl Zohn

"Jeff Did It"

A crime show about Jeff, Meg, and Lt. Spizer: a rag-tag team of NY detectives who are in charge of solving the city's most gruesome murders. The kicker is, Jeff did it. Jeff always does it. But since he's good looking, funny, and the gang has so much fun together at lunches no one ever figures it out.

...not written by Ali Waller

"Writers' Block"

An entire neighborhood is filled with writers who learn to overcome their writer's block by writing about each other and their struggles to write.

...not written by Sheryl Zohn

Help from the Couch Potato Guild -- e-mail network heads

Sheryl, a TV fan, writes in with the message below to propose that viewers e-mail network heads with their thoughts on the strike. But she needs a list of e-mails.

Let's help her by guessing their e-mails. For example, e-mails at NBC work like this:

firstname.lastname@nbcuni.com

So NBC president Jeff Zucker is probably at:

jeff.zucker@nbcuni.com

Any other good guesses? Post them in the comments or e-mail me and I'll compile the list.

We are so tired of this strike and my husband and I went to NBC.com tonight and saw that you can now download the 4th season of the office for free ( if you have Windows). I can't believe this is still going on. Don't you think if there was a way that the consumers (we) could contact the networks ourselves, we could get some response. After all, aren't we the ones who watch the programs and drive their ratings through the roof. We may not be able to change whether or not people watch re-runs on the networks, but, if we can get enough people to actually CONTACT the networks, which seems to be impossible, we might have a chance at helping you end this strike.

I think that if we start forwarding emails and ask everyone who receives the email to forward it to 10 friends and have each person send it to a VP or Pres. of the network, maybe they'd get annoyed enough to listen.

What do you think, because we all want you to get what is rightfully yours and long overdue.

Please let us know how we can help in this situation, it has gone on far too long. All I need is an email address for each network.

Sincerely,

Sheryl Leyott

The Daily Show and Colbert Report return, funny because of the Wrtiters Strike

So the Daily Show and Colbert Report return to answer the big question:

Can you be funny without writers?

The answer (if you don't count the WGA member hosts as writers) is a resounding yes. But, of course, most of the jokes (and all of the best) were about the strike:



Steven Colbert has an even harder job. While Jon Steward essentially acts as himself on the Daily Show, Colbert portrays a fictional (and largely written character) on his show.

On the first night, Colbert was even funnier, using a 5-minute long laugh track to fill a good portion of his show.

I'd post the Colbert video, but it's non-embeddable (WTF?).

Two big questions left on the table:

How sustainable are jokes along those lines?

While Stewart/Colbert were ripping on the studios for not paying writers for iTunes downloads, Comedy Central/Viacom were pimping iTunes downloads at every commercial break and in all the credits. Was this done for irony or out of cluelessness?